Druck, Installation, Objekte
Kastenlangen 24
6850 Dornbirn
+43 681 844 20603
vithklara@gmail.com
klaravith.com
Ausbildung
| 2016-2018 | MA Visual Arts: Book Arts, Camberwell College of Arts, UAL |
| 2012-2015 | BA Informationsdesign, FH Joanneum Graz |
Auszeichnungen
| 2024 | 2. Preis, wasser.kraft Kunstforum Montafon & Illwerke VKW |
| 2023 | Jubiläumsfonds der Dornbirner Sparkasse |
| 2019 | Bloomberg New Contemporaries |
| 2019 | Print Futures Award, The Printing Charity |
Artist-in-residence
| 2024 | UVA Programme, Nizza Monferrato, Italien |
| 2023-2024 | Imaginary Patterns, Superbude, Wien |
| 2023 | 5th Ed. Residency, Barcelona |
| 2023 | PARADISE AIR, Matsudo |
| 2023 | Saruya Air, Fujiyoshida |
| 2023 | Metropolitan Fukujusou, Kyoto |
| 2023 | Atelierhaus Salzamt, Linz |
| 2021-22 | Standpoint Gallery, London |
| 2021 | Grafikverkstan Godsmagasinet Uttersberg |
| 2021 | 4th Ed. Residency, online, Bristol Artist Book Event 2021 |
| 2019 | Edinburgh Printmakers, Edinburgh |
| 2019 | 3rd Ed. Residency, Barcelona |
| 2018 | 2nd Ed. Residency, Dornbirn |
| 2017 | 1st Ed. Residency, Manchester |
Ausstellungen und Projektbeteiligungen | Auswahl
| 2024 | Der Stoff, aus dem die Gegenwart besteht | Werk2 Arbon, Heimspiel TV |
| 2024 | Gruppenausstellung OffenArt | Krafthaus, Dornbirn |
| 2024 | Open Call VHS Wien | VHS Alte WU, Wien |
| 2024 | International Mokuhanga Conference 2024 | Echizen Village, Japan |
| 2024 | The Aspiration | Superbude am Prater, Wien |
| 2024 | Exposition littéraire autour de Mallarmé | Center for Book Arts, New York |
| 2023 | Make yourself at home, why don’t you? | PARADISE AIR, Matsudo |
| 2023 | The drying cycle | FabCafé, Fujiyoshida |
| 2023 | Between a rug and a hard place | Frisiersalon Linz |
| 2022 | Lost Space 2 | Kleiner Luger, Dornbirn |
| 2022 | The Function Suite | The Function Suite, London |
| 2022 | Einweg | Kunstvitrine Dornbirn |
| 2022 | IDEAL HOME SHOW | Standpoint Gallery, London |
| 2021 | Woolwich Contemporary Print Fair | The Fireworks Factory, London |
| 2021 | A Modern Model of an Unseen Scene | Safehouse 1, London |
| 2021 | ABCOA, Artists’ Books Cooperative | Print-on-demand |
| 2021 | BABE 2021 – The Lost Weekend (Ed. Res.) | Arnolfini, Bristol |
| 2021 | Kingsgate Postal Service, Issue #10 | Kingsgate Project Space, London |
| 2021 | Reverting To Type 2 | Standpoint Gallery, London |
| 2020 | False Friends | The Function Suite, London |
| 2019-2020 | Bloomberg New Contemporaries 2019 | Leeds Art Gallery, South London G. |
| 2019 | Now Look For a Marshmallow Under a Rock | APT Gallery, London |
| 2018 | Algorithmic Superstructures | IMPAKT Festival, Utrecht |
Kollektive
| 2020- | P_E_A_K_A_Y_ m. Paul Wardski | |
| 2017- | Edition Residencies m. Caitlin Akers, Nora Schmel & Lena Wurz |